MANIFEST DESTINY SERIES

Manifest Destiny also accelerated the onset of the Civil War as it touched off intense sectional dramas between southern states hoping to expand slavery into new territories and northern states hoping to prevent the spread of slavery. In this study for a public mural at the U.S. It was also used to justify the Mexican-American War, resulting in the annexation of 1.2 million square miles of land in the American West. It was used to justify the corrupt treaties and wars that resulted in the removal of Native Americans from their ancestral land.

The idea of Manifest Destiny was reflected in the 19th century by the mass migration of Americans from the eastern United States to the west through the great emigrant trails such as the Oregon, California, Santa Fe, and Mormon Trails. In 1845, newspaper editor John O' Sullivan first coined the term 'Manifest Destiny,' to describe the mindset of American expansion. Americans started believing that they were morally and culturally superior to their Native, Mexican, and British neighbors and that it was God's will and the people's duty to spread American virtues from 'sea to shining sea.' It Justifies Everything During this time, America articulated its first foreign policy through the Monroe Doctrine and a growing sense of nationalism gripped the population. As a result, the series’ unconventional take on American mythology and its iconoclastic political agenda are thoroughly deconstructed and examined.Following the War of 1812, American entered a period of history known as the Era of Good Feeling. The 1840s were an era of tremendous expansion, as the national domain increased by more than 60 percent. A teleological national narrative, an ideology, a mythology, and an expansionist slogan conveying the spirit of the age, manifest destiny serves many purposes. Weston’s analysis of the gothic space, the essay goes through the “mindscape” projected by Manifest Destiny’s geography and addresses its symbolic and allegorical meaning. Like Winthrop’s sermon, manifest destiny is a statement of American exceptionalism. Through the use of some classical outlooks on the American frontier like Frederick Jackson Turner and Richard Slotkin’s theses, together with some more general contributions on the cultural and narrative meaning of space like Edward Soja’s Thirdspace, Yi-Fu Tuan’s human geography and Ruth D.

Manifest Destiny is not an exception – its spatial dimension conjugates history and mythology, while also showing the strong influence of popular culture and pulp culture’s horror and weird literature, mainly via its most famous author: H. Since the definition of this space was always dependent upon ideological stances, its depiction has always oscillated between the poles of Utopia and Dystopia, blending realism, imagination and ideology. The frontier space is not of course limited to its geographical dimension – at least from 1893 onwards, when the “closure” of the frontier and the publication of the Turner Thesis made it a polysemic “place” in which psychological, political and social elements met and conflicted with one another. The American frontier epic still stand as one of the vastest and most important mythological sources of the US.

MANIFEST DESTINY SERIES

The aim of this essay is to analyze the role of space and the different layers of significance associated to it in the Image Comics series Manifest Destiny.

Manifest destiny